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How to Mars
David Ebenbach
Hollywood Reporter’s What to Watch, Play, and Read in 2021
For the lucky scientists selected by the Destination Mars! corporation, a one-way ticket to Mars—in exchange for a lifetime of research—had been an absolute no-brainer. The incredible opportunity was clearly worth even the most absurdly tedious screening process. Perhaps worth following the strange protocols in a nonsensical handbook written by an eccentric billionaire. Possibly worth starring in a heavily-edited ratings-bonanza back on Earth.
ISBN: Print ISBN: 9781616963569: Digital ISBN: 9781616963576
Published: May 2021
Available Format(s): Trade Paperback and Digital
What happens when your dream mission to Mars is a reality television nightmare?This debut science-fiction romp with heart that follows the tradition of Ray Bradbury’s Martian Chronicles, with a dash of The Hitchhiker’s Guide to the Galaxy and Mythbusters.
For the six lucky scientists selected by the Destination Mars! corporation, a one-way ticket to Mars—in exchange for a lifetime of research—was an absolute no-brainer. The incredible opportunity was clearly worth even the most absurdly tedious screening process. Perhaps worth following the strange protocols in a nonsensical handbook written by an eccentric billionaire. Possibly even worth their constant surveillance, the video of which is carefully edited into a ratings-bonanza back on Earth.
But it turns out that after a while even scientists can get bored of science. Tempers begin to fray; unsanctioned affairs blossom. When perfectly good equipment begins to fail, the Marsonauts are faced with a possibility that their training just cannot explain.
Irreverent, poignant, and perfectly weird, David Ebenbach’s debut science-fiction outing, like a mission to Mars, is an incredible trip you will never forget.
Check out David Ebenbach reading from How to Mars.
Hollywood Reporter’s What to Watch, Play, and Read in 2021 A Nerd Daily‘s Fantasy & Sci Fi Book to Look Out For
“David Ebenbach’s new novel wittily dismantles the classic space adventure story. In it, the first colonists on Mars struggle not only with the technical and existential challenges of living on another world, but also with much more familiar conundrums: boredom, cabin fever, a crazy coworker, an unplanned pregnancy, corporate incompetence. Funny and wonderfully inventive, How to Mars is equal parts an absurdist cautionary tale and a warm-hearted exploration of those things, good, bad and indifferent, that make us human.”
—Emily Mitchell, author of Viral Stories
“Ebenbach explores science fiction for the first time in this clever novella focused on a one-way trip to the red planet. Financed by an eccentric billionaire with funding via reality television, six scientists emerge from a “Survivors” gauntlet of seemingly meaningless tests. After two years on Mars, the reality series has been cancelled and the science-ing has been reduced to the humdrum. The engineer from Denmark has alienated himself by expressing his right to do whatever he wants, while the psychologist and astronomer find themselves revealed as breakers of the one hard rule laid down by the managers of the project: no sex. Vignettes of mundane concerns are interspersed with excerpts from the unofficial Destination Mars! handbook by the organization’s founder. The poignancy of the impossible pregnancy is the Bradbury touch, the reality show framework carries fingerprints of Douglas Adams, and the handbook provides a Vonnegut-esque struggle with the paradoxes of the human condition. How to Mars is Andy Weir’s The Martian (2014) infused with poetry in a superbly concise package.”
—Booklist
“All the old pleasures of SF come back, together with a surefooted grasp of character, an engagingly wry sense of humor, and a unique take on the new wedding of serious space engineering, social media, reality TV and business hype. If [Elon] Musk were a poet, this is how he would sound?”
—Frederick Turner, author of Genesis
“Among scenes that find the six establishing mundane Martian routines come riotous clips from the Destination Mars! handbook, flashbacks to the torturous tests that Destination Mars! subjected its applicants to, and notes from the field (both the Martian landscape, and the six’s internal topographies). The combination is irresistible fun. Through its heartbreaks and surprises, How to Mars is an interplanetary delight.”
—Foreword
“How to Mars is funny, poignant, and a perfect example of how not to settle Mars.”
—Analog
“Ebenbach (Miss Portland) imagines the first pregnancy on Mars in this gentle, domestic sci-fi novel of a reality show gone interplanetary. Two years into the filming of reality show Destination Mars! the cast have settled into a quotidian routine on the Red Planet, leading to declining ratings and a production shutdown. Jenny, an astrophysicist, maintains the team’s telescope, and Josh, a psychologist, works to keep things running smoothly in the Destination Mars! base camp. Ignoring the constantly repeated prohibitions against intercourse (“Even Elton John thinks it’s a bad idea,” warns the Destination Mars! handbook ), the pair have sex—repeatedly—and despite their prophylactic precautions, soon Jenny is expecting the first child born off Earth. The challenge of a developing life adds both stress and excitement to a base grown weary of Mars and discouraged with searching for alien life. It also brings the attention of some Mars inhabitants who, like Stefan, the team engineer, fear the additional chaos that a bawling baby will bring to the quiet planet. Ebenbach keeps an intimate focus on Jenny’s pregnancy while portraying the technical details of base living through a satiric lens that sees the relentless deliveries of useless towels and the revival of freeze-dried goldfish. The result is funny, fresh, and winsome.”
—Publishers Weekly
“Two years after having been chosen to receive one-way tickets to Mars for a lifetime of research—all while living under constant surveillance for TV—six scientists are finding life undeniably monotonous, especially since their show was canceled because of low ratings. ‘After a while even scientists can get bored of science. Especially here. Mars, I can tell you, is pretty much rocks, rocks, rocks,’ according to Josh, a psychologist. But when Jenny, the astrophysicist, realizes she’s pregnant after having begun a romantic relationship with Josh—although the Destination Mars! Handbook repeatedly stresses that sex is strictly forbidden—the small community must come together to resolve the looming issues associated with welcoming a newborn into their cramped habitat. Not surprisingly, once the TV producers are made aware of Jenny’s pregnancy, the show is brought back and ratings soar. Told from the perspectives of various characters—even ethereal Martian life-forms that refer to themselves as the Patterns—and complemented with excerpts from the Destination Mars! handbook and Jenny’s humorous research notes, the story has a strong sense of whimsy, but Ebenbach also creates depth by exploring issues like engineer Stefan’s feelings of estrangement and violence and Jenny’s guilt over her sister’s suicide years earlier. A poignant examination of what it means to be human.”
—Kirkus
“Explores with both humour and pathos the consequences of humanity leaving the challenging task of extraterrestrial colonisation to a TV company focused on ratings and sponsorship opportunities . . . The humour has shades of Douglas Adams, whose The Hitchhiker’s Guide to the Galaxy series excelled at satirising the frustrations of ordinary people battling faceless bureaucracy. In Ebenbach’s novel, Destination Mars! saddles the colonists with towels that aren’t absorbent because they bear enormous company logos.
—New Scientist
“How to Mars is an out-of-this-world human migration story that’s wonderfully weird, stylistically creative, darkly funny and unexpectedly moving.”
—New Straits Times
“Grab a copy, enjoy a very funny, tongue-in-check read which may turn out to be eventually, in the maybe not too far distant future, not so fanciful after all!”
—Blue Wolf Reviews
“Immersive and believable and also, in its vision of humanity believing in the possibility of something new and better, hopeful and moving.”
—Sci Fi and Scary
“5/5 Stars. Strap in and get ready to blast off on one wild ride. Very much recommended.”
—BookAnon
“Highly recommended.”
—She Treads Softly
David Ebenbach writes. He’s been writing ever since he was a kid, when he kept his whole family awake by banging away on an enormous manual typewriter, and he’s never wanted to stop. He is the author of eight books of fiction, poetry, and non-fiction, and his work has picked up awards along the way: the Drue Heinz Literature Prize, the Juniper Prize, the Patricia Bibby Award, and more.
A Philadelphia native, these days David does most of his writing in Washington, DC, where he lives with his family—because he uses a laptop now, he doesn’t keep them awake with his typing—and where he works at Georgetown University, teaching creative writing and literature.
Praise for David Ebenbach
On Miss Portland
“Ebenbach delivers an absorbing, suspenseful story of emotional depth and complexity.”
—Fiction Southeast
“A complex, intimate, and deeply humane portrait of a person whose experience of the world is both alternate and poignantly familiar.”
— Foreword Reviews
“Enchanting and deeply troubling, beautifully simple and subtly complex, a pleasure to read and something that will stay with you long after you’ve put it down.”
—Emily Mitchell, author of Viral: Stories
On The Guy We Didn’t Invite to the Orgy
“To read Ebenbach is to inhabit the heart and the mind of those luckless, forlorn, lonesome, and hopeful souls with whom we share our park benches and office spaces, our cars and kitchens and beds and, in turn, to revisit some neglected segment of ourselves.”
―Sam Michel, contest judge and author of Strange Cowboy
“David Ebenbach inhabits a series of minds that most of us would classify as unknowable; he does so with empathy and wisdom, and often with humor as well. . . . Ebenbach is more at home in the minefield of ambiguity than most of us are in our houses.”
―Roy Kesey, author of Any Deadly Thing and Pacazo
“A brilliant, original, and illuminating book!”
―Stephen O’Connor, author of Thomas Jefferson Dreams of Sally Hemings
“If The Guy We Didn’t Invite to the Orgy were a clothing pattern, it would be plaid, and it would be plaid that used a lot of colors―maybe all the colors―and one of the colors would think, ‘All of the other colors go great together, but I don’t fit in.’ And each of the other colors would be thinking the same thing.”
―Monkey Bicycle
On Autogeography
“Emotionally vivid, ironic, quietly fierce: a wanderer’s handbook on how to live ‘without location’ and ‘in this place.'”
—David Gewanter, author of War Bird
“Wit, tenderness and an earnest attention.”
—Jennifer K. Sweeney, award-winning author of How to Live on Bread and Music and Salt Memory
“Unsettling, spiritual, real, and relevant. It’s noisy and quiet. Ebenbach celebrates the ordinary with a clear voice.”
—Jonathan K. Rice, editor and publisher of Iodine Poetry Journal
On Into the Wilderness
“Glimmering glimpses of the enormous, the extraordinary, and the startlingly true.”
—Eve Ottenberg, Washington City Paper
“With charm, insight, and humor, Ebenbach reveals a deeper meaning to everyday events that by their very ordinariness rush by unnoticed, moments typically experienced without thought or examination.”
—Washington Independent Review of Books
How to Mars
David Ebenbach
Hollywood Reporter’s What to Watch, Play, and Read in 2021
For the lucky scientists selected by the Destination Mars! corporation, a one-way ticket to Mars—in exchange for a lifetime of research—had been an absolute no-brainer. The incredible opportunity was clearly worth even the most absurdly tedious screening process. Perhaps worth following the strange protocols in a nonsensical handbook written by an eccentric billionaire. Possibly worth starring in a heavily-edited ratings-bonanza back on Earth.
How to Mars
by David Ebenbach
ISBN: Print ISBN: 9781616963569: Digital ISBN: 9781616963576
Published: May 2021
Available Format(s): Trade Paperback and Digital
What happens when your dream mission to Mars is a reality television nightmare? This debut science-fiction romp with heart that follows the tradition of Ray Bradbury’s Martian Chronicles, with a dash of The Hitchhiker’s Guide to the Galaxy and Mythbusters.
For the six lucky scientists selected by the Destination Mars! corporation, a one-way ticket to Mars—in exchange for a lifetime of research—was an absolute no-brainer. The incredible opportunity was clearly worth even the most absurdly tedious screening process. Perhaps worth following the strange protocols in a nonsensical handbook written by an eccentric billionaire. Possibly even worth their constant surveillance, the video of which is carefully edited into a ratings-bonanza back on Earth.
But it turns out that after a while even scientists can get bored of science. Tempers begin to fray; unsanctioned affairs blossom. When perfectly good equipment begins to fail, the Marsonauts are faced with a possibility that their training just cannot explain.
Irreverent, poignant, and perfectly weird, David Ebenbach’s debut science-fiction outing, like a mission to Mars, is an incredible trip you will never forget.
Check out David Ebenbach reading from How to Mars.
Hollywood Reporter’s What to Watch, Play, and Read in 2021
A Nerd Daily‘s Fantasy & Sci Fi Book to Look Out For
“David Ebenbach’s new novel wittily dismantles the classic space adventure story. In it, the first colonists on Mars struggle not only with the technical and existential challenges of living on another world, but also with much more familiar conundrums: boredom, cabin fever, a crazy coworker, an unplanned pregnancy, corporate incompetence. Funny and wonderfully inventive, How to Mars is equal parts an absurdist cautionary tale and a warm-hearted exploration of those things, good, bad and indifferent, that make us human.”
—Emily Mitchell, author of Viral Stories
“Ebenbach explores science fiction for the first time in this clever novella focused on a one-way trip to the red planet. Financed by an eccentric billionaire with funding via reality television, six scientists emerge from a “Survivors” gauntlet of seemingly meaningless tests. After two years on Mars, the reality series has been cancelled and the science-ing has been reduced to the humdrum. The engineer from Denmark has alienated himself by expressing his right to do whatever he wants, while the psychologist and astronomer find themselves revealed as breakers of the one hard rule laid down by the managers of the project: no sex. Vignettes of mundane concerns are interspersed with excerpts from the unofficial Destination Mars! handbook by the organization’s founder. The poignancy of the impossible pregnancy is the Bradbury touch, the reality show framework carries fingerprints of Douglas Adams, and the handbook provides a Vonnegut-esque struggle with the paradoxes of the human condition. How to Mars is Andy Weir’s The Martian (2014) infused with poetry in a superbly concise package.”
—Booklist
“All the old pleasures of SF come back, together with a surefooted grasp of character, an engagingly wry sense of humor, and a unique take on the new wedding of serious space engineering, social media, reality TV and business hype. If [Elon] Musk were a poet, this is how he would sound?”
—Frederick Turner, author of Genesis
“Among scenes that find the six establishing mundane Martian routines come riotous clips from the Destination Mars! handbook, flashbacks to the torturous tests that Destination Mars! subjected its applicants to, and notes from the field (both the Martian landscape, and the six’s internal topographies). The combination is irresistible fun. Through its heartbreaks and surprises, How to Mars is an interplanetary delight.”
—Foreword
“How to Mars is funny, poignant, and a perfect example of how not to settle Mars.”
—Analog
“Ebenbach (Miss Portland) imagines the first pregnancy on Mars in this gentle, domestic sci-fi novel of a reality show gone interplanetary. Two years into the filming of reality show Destination Mars! the cast have settled into a quotidian routine on the Red Planet, leading to declining ratings and a production shutdown. Jenny, an astrophysicist, maintains the team’s telescope, and Josh, a psychologist, works to keep things running smoothly in the Destination Mars! base camp. Ignoring the constantly repeated prohibitions against intercourse (“Even Elton John thinks it’s a bad idea,” warns the Destination Mars! handbook ), the pair have sex—repeatedly—and despite their prophylactic precautions, soon Jenny is expecting the first child born off Earth. The challenge of a developing life adds both stress and excitement to a base grown weary of Mars and discouraged with searching for alien life. It also brings the attention of some Mars inhabitants who, like Stefan, the team engineer, fear the additional chaos that a bawling baby will bring to the quiet planet. Ebenbach keeps an intimate focus on Jenny’s pregnancy while portraying the technical details of base living through a satiric lens that sees the relentless deliveries of useless towels and the revival of freeze-dried goldfish. The result is funny, fresh, and winsome.”
—Publishers Weekly
“Two years after having been chosen to receive one-way tickets to Mars for a lifetime of research—all while living under constant surveillance for TV—six scientists are finding life undeniably monotonous, especially since their show was canceled because of low ratings. ‘After a while even scientists can get bored of science. Especially here. Mars, I can tell you, is pretty much rocks, rocks, rocks,’ according to Josh, a psychologist. But when Jenny, the astrophysicist, realizes she’s pregnant after having begun a romantic relationship with Josh—although the Destination Mars! Handbook repeatedly stresses that sex is strictly forbidden—the small community must come together to resolve the looming issues associated with welcoming a newborn into their cramped habitat. Not surprisingly, once the TV producers are made aware of Jenny’s pregnancy, the show is brought back and ratings soar. Told from the perspectives of various characters—even ethereal Martian life-forms that refer to themselves as the Patterns—and complemented with excerpts from the Destination Mars! handbook and Jenny’s humorous research notes, the story has a strong sense of whimsy, but Ebenbach also creates depth by exploring issues like engineer Stefan’s feelings of estrangement and violence and Jenny’s guilt over her sister’s suicide years earlier. A poignant examination of what it means to be human.”
—Kirkus
“Explores with both humour and pathos the consequences of humanity leaving the challenging task of extraterrestrial colonisation to a TV company focused on ratings and sponsorship opportunities . . . The humour has shades of Douglas Adams, whose The Hitchhiker’s Guide to the Galaxy series excelled at satirising the frustrations of ordinary people battling faceless bureaucracy. In Ebenbach’s novel, Destination Mars! saddles the colonists with towels that aren’t absorbent because they bear enormous company logos.
—New Scientist
“How to Mars is an out-of-this-world human migration story that’s wonderfully weird, stylistically creative, darkly funny and unexpectedly moving.”
—New Straits Times
“Grab a copy, enjoy a very funny, tongue-in-check read which may turn out to be eventually, in the maybe not too far distant future, not so fanciful after all!”
—Blue Wolf Reviews
“Immersive and believable and also, in its vision of humanity believing in the possibility of something new and better, hopeful and moving.”
—Sci Fi and Scary
“5/5 Stars. Strap in and get ready to blast off on one wild ride. Very much recommended.”
—BookAnon
“Highly recommended.”
—She Treads Softly
David Ebenbach writes. He’s been writing ever since he was a kid, when he kept his whole family awake by banging away on an enormous manual typewriter, and he’s never wanted to stop. He is the author of eight books of fiction, poetry, and non-fiction, and his work has picked up awards along the way: the Drue Heinz Literature Prize, the Juniper Prize, the Patricia Bibby Award, and more.
A Philadelphia native, these days David does most of his writing in Washington, DC, where he lives with his family—because he uses a laptop now, he doesn’t keep them awake with his typing—and where he works at Georgetown University, teaching creative writing and literature.
Praise for David Ebenbach
On Miss Portland
“Ebenbach delivers an absorbing, suspenseful story of emotional depth and complexity.”
—Fiction Southeast
“A complex, intimate, and deeply humane portrait of a person whose experience of the world is both alternate and poignantly familiar.”
— Foreword Reviews
“Enchanting and deeply troubling, beautifully simple and subtly complex, a pleasure to read and something that will stay with you long after you’ve put it down.”
—Emily Mitchell, author of Viral: Stories
On The Guy We Didn’t Invite to the Orgy
“To read Ebenbach is to inhabit the heart and the mind of those luckless, forlorn, lonesome, and hopeful souls with whom we share our park benches and office spaces, our cars and kitchens and beds and, in turn, to revisit some neglected segment of ourselves.”
―Sam Michel, contest judge and author of Strange Cowboy
“David Ebenbach inhabits a series of minds that most of us would classify as unknowable; he does so with empathy and wisdom, and often with humor as well. . . . Ebenbach is more at home in the minefield of ambiguity than most of us are in our houses.”
―Roy Kesey, author of Any Deadly Thing and Pacazo
“A brilliant, original, and illuminating book!”
―Stephen O’Connor, author of Thomas Jefferson Dreams of Sally Hemings
“If The Guy We Didn’t Invite to the Orgy were a clothing pattern, it would be plaid, and it would be plaid that used a lot of colors―maybe all the colors―and one of the colors would think, ‘All of the other colors go great together, but I don’t fit in.’ And each of the other colors would be thinking the same thing.”
―Monkey Bicycle
On Autogeography
“Emotionally vivid, ironic, quietly fierce: a wanderer’s handbook on how to live ‘without location’ and ‘in this place.'”
—David Gewanter, author of War Bird
“Wit, tenderness and an earnest attention.”
—Jennifer K. Sweeney, award-winning author of How to Live on Bread and Music and Salt Memory
“Unsettling, spiritual, real, and relevant. It’s noisy and quiet. Ebenbach celebrates the ordinary with a clear voice.”
—Jonathan K. Rice, editor and publisher of Iodine Poetry Journal
On Into the Wilderness
“Glimmering glimpses of the enormous, the extraordinary, and the startlingly true.”
—Eve Ottenberg, Washington City Paper
“With charm, insight, and humor, Ebenbach reveals a deeper meaning to everyday events that by their very ordinariness rush by unnoticed, moments typically experienced without thought or examination.”
—Washington Independent Review of Books