“McKillip’s is the first name that comes to mind when I’m asked whom I read myself.’” —Peter S. Beagle, author of The Last Unicorn
World Fantasy Award winner Patricia A. McKillip (The Forgotten Beasts of Eld) has inspired generations of readers with her enchanting, and subversive fiction. This lovely hardcover career-retrospective edition features an original introduction by Ellen Kushner (Swordspoint) and cover art from frequent McKillip illustrator Thomas Canty, The Essential Patricia A. McKillip is a must-have for fans of classic fantasy.
World Fantasy Award winner Patricia A. McKillip (The Forgotten Beasts of Eld; the Riddlemaster trilogy) has inspired generations of readers with her enchanting, and subversive fiction. This lovely hardcover career-retrospective edition offers McKillip’s finest short stories. Featuring an original introduction by Ellen Kushner (Swordspoint) and cover art from frequent McKillip illustrator Thomas Canty, The Essential Patricia A. McKillip is a must-have for fans of classic fantasy.
Patricia A. McKillip has been widely hailed as one of fantasy’s most significant authors. She was lauded as “rich and regal” (the New York Times), “enchanting” (the Washington Post), and “luminous” (Library Journal).
Within McKillip’s magical landscapes, a mermaid statue comes to life; princesses dance with dead suitors; a painting and a muse possess a youthful artist; seductive sea travelers enrapture distant lovers, a time-traveling angel endures religious madness; and an overachieving teenage mage discovers her own true name.
Contents
Introduction by Ellen Kushner
Stories
“Lady of the Skulls”
“Wonders of the Invisible World”
“The Lion and the Lark”
“The Harrowing of the Dragon of Hoarsbreath”
“Out of the Woods”
“The Fortune Teller”
“The Witches of Junket”
“Byndley”
“Jack O’Lantern”
“The Stranger”
“The Gorgon in the Cupboard”
“Mer”
“Weird”
“Hunter’s Moon”
“Undine”
“Knight of the Well”
Nonfiction
“What Inspires Me”: Guest of Honor Speech at WisCon
“Writing High Fantasy”
Praise for Patricia A. McKillip
“McKillip’s is the first name that comes to mind when I’m asked whom I read myself, whom I’d recommend that others read, and who makes me shake my grizzled head and say, ‘Damn I wish I’d done that.’”
—Peter S. Beagle, author of The Last Unicorn
“I read, and reread McKillip eagerly. She reminds me that fantasy is worth writing.”
—Stephen R. Donaldson, author of the Chronicles of Thomas Covenant
[STARRED REVIEW] “World Fantasy Award winner McKillip can take the most common fantasy elements, dragons and bards, sorcerers and shape-shifters and reshape them in surprising and resonant ways.”
—Publishers Weekly
“Patricia McKillip is the real thing and always has been. She shows the rest of us that magic can be made with words and air; that is it worth doing and worth doing well.”
—Ellen Kushner, author of Swordspoint and Thomas the Rhymer
“Ever since finding and loving The Riddle-Master of Hed many years ago, I have read everything Patricia McKillip has written. You should too.”
—Garth Nix, author of Sabriel and the Keys to the Kingdom
“Some authors we read for their characters and their plots, others for the beauty of their language. I read Pat McKillip for all three.”
—Charles de Lint, author of The Riddle of the Wren and The Blue Girl
Patricia Anne McKillip was born February 29, 1948, in Salem, Oregon. She attended the College of Notre Dame, Belmont, and San Jose State University in California, receiving a B. A. in 1971 and an M. A. in 1972 in English.
Her first publications were short children’s books; The Throme of the Erril of Sherill and The House on Parchment Street (both 1973). Her first novel for adults, The Forgotten Beasts of Eld (1974), won a World Fantasy Award.
McKillip’s science fiction and fantasy novels include the Riddle-Master trilogy: The Riddle-Master of Hed (1976), Heir of Sea and Fire (1977), and Locus Award winner and Hugo and World Fantasy Award finalist Harpist in the Wind (1979); Nebula Award finalist Winter Rose (1996); Nebula Award nominee The Tower at Stony Wood (2000); World Fantasy Award finalist Od Magic (2005); Mythopoeic Award winner Solstice Wood (2006); and Mythopoeic Award winner Kingfisher (2016).
McKillip’s other books include non-SF children’s book The Night Gift (1976); adult contemporary novel Stepping from the Shadows (1982); and shared-world novel Brian Froud’s Faerielands: Something Rich and Strange (1994), a Mythopoeic Award winner. Her collections include Harrowing the Dragon (2005); Wonders of the Invisible World (2012); and Endeavour Award winner Dreams of Distant Shores (2016). McKillip received a World Fantasy life achievement award in 2008.
Patricia McKillip was living in Oregon when she passed away in May of 2022.
Excerpt from “Lady of the Skulls”
The Lady saw them ride across the plain: a company of six. Putting down her watering can, which was the bronze helm of some unfortunate knight, she leaned over the parapet, chin on her hand. They were all armed, their warhorses caparisoned; they glittered under the noon sun with silver-edged shields, jeweled bridles and sword hilts. What, she wondered as always in simple astonishment, did they imagine they had come to fight? She picked up the helm, poured water into a skull containing a miniature rosebush. The water came from within the tower, the only source on the entire barren, sun-cracked plain. The knights would ride around in the hot sun for hours, looking for entry. At sunset, she would greet them, carrying water.
She sighed noiselessly, troweling around the little rosebush with a dragon’s claw. If they were too blind to find the tower door, why did they think they could see clearly within it? They, she thought in sudden impatience. They, they, they . . . they fed the plain with their bleached bones, they never learned. . . .
A carrion bird circled above her, counting heads. She scowled at it; it cried back at her, mocking. You, its black eye said, never die. But you bring the dead to me.
“They never listen to me,” she said, looking over the plain again, her eyes prickling dryly. In the distance, lightning cracked apart the sky; purple clouds rumbled. But there was no rain in them, never any rain; the sky was as tearless as she. She moved from skull to skull along the parapet wall, watering things she had grown stubbornly from seeds that blew from distant, placid gardens in peaceful kingdoms. Some were grasses, weeds, or wildflowers. She did not care; she watered anything that grew.
The men below began their circling. Their mounts kicked up dust, snorting; she heard cursing, bewildered questions, then silence as they paused to rest. Sometimes they called her, pleading. But she could do nothing for them. They churned around the tower, bright, powerful, richly armed. She read the devices on their shields: three of Grenelief, one of Stoney Head, one of Dulcis Isle, one of Carnelaine. After a time, one man dropped out of the circle, stood back. His shield was simple: a red rose on white. Carnelaine, she thought, looking down at him, then realized he was looking up at her.
The Essential Patricia A. McKillip
Patricia A. McKillip
“McKillip’s is the first name that comes to mind when I’m asked whom I read myself.’”
—Peter S. Beagle, author of The Last Unicorn
World Fantasy Award winner Patricia A. McKillip (The Forgotten Beasts of Eld) has inspired generations of readers with her enchanting, and subversive fiction. This lovely hardcover career-retrospective edition features an original introduction by Ellen Kushner (Swordspoint) and cover art from frequent McKillip illustrator Thomas Canty, The Essential Patricia A. McKillip is a must-have for fans of classic fantasy.
The Essential Patricia A. McKillip
by Patricia A. McKillip
ISBN: 978-1-61696-448-1 (print); 978-1-61696-449-8 (digital)
Published: 28 October 2025
Available Format(s): trade hardcover; digital
World Fantasy Award winner Patricia A. McKillip (The Forgotten Beasts of Eld; the Riddlemaster trilogy) has inspired generations of readers with her enchanting, and subversive fiction. This lovely hardcover career-retrospective edition offers McKillip’s finest short stories. Featuring an original introduction by Ellen Kushner (Swordspoint) and cover art from frequent McKillip illustrator Thomas Canty, The Essential Patricia A. McKillip is a must-have for fans of classic fantasy.
Patricia A. McKillip has been widely hailed as one of fantasy’s most significant authors. She was lauded as “rich and regal” (the New York Times), “enchanting” (the Washington Post), and “luminous” (Library Journal).
Within McKillip’s magical landscapes, a mermaid statue comes to life; princesses dance with dead suitors; a painting and a muse possess a youthful artist; seductive sea travelers enrapture distant lovers, a time-traveling angel endures religious madness; and an overachieving teenage mage discovers her own true name.
Contents
Introduction by Ellen Kushner
Stories
“Lady of the Skulls”
“Wonders of the Invisible World”
“The Lion and the Lark”
“The Harrowing of the Dragon of Hoarsbreath”
“Out of the Woods”
“The Fortune Teller”
“The Witches of Junket”
“Byndley”
“Jack O’Lantern”
“The Stranger”
“The Gorgon in the Cupboard”
“Mer”
“Weird”
“Hunter’s Moon”
“Undine”
“Knight of the Well”
Nonfiction
“What Inspires Me”: Guest of Honor Speech at WisCon
“Writing High Fantasy”
Praise for Patricia A. McKillip
“McKillip’s is the first name that comes to mind when I’m asked whom I read myself, whom I’d recommend that others read, and who makes me shake my grizzled head and say, ‘Damn I wish I’d done that.’”
—Peter S. Beagle, author of The Last Unicorn
“I read, and reread McKillip eagerly. She reminds me that fantasy is worth writing.”
—Stephen R. Donaldson, author of the Chronicles of Thomas Covenant
[STARRED REVIEW] “World Fantasy Award winner McKillip can take the most common fantasy elements, dragons and bards, sorcerers and shape-shifters and reshape them in surprising and resonant ways.”
—Publishers Weekly
“Patricia McKillip is the real thing and always has been. She shows the rest of us that magic can be made with words and air; that is it worth doing and worth doing well.”
—Ellen Kushner, author of Swordspoint and Thomas the Rhymer
“Ever since finding and loving The Riddle-Master of Hed many years ago, I have read everything Patricia McKillip has written. You should too.”
—Garth Nix, author of Sabriel and the Keys to the Kingdom
“Some authors we read for their characters and their plots, others for the beauty of their language. I read Pat McKillip for all three.”
—Charles de Lint, author of The Riddle of the Wren and The Blue Girl
Patricia Anne McKillip was born February 29, 1948, in Salem, Oregon. She attended the College of Notre Dame, Belmont, and San Jose State University in California, receiving a B. A. in 1971 and an M. A. in 1972 in English.
Her first publications were short children’s books; The Throme of the Erril of Sherill and The House on Parchment Street (both 1973). Her first novel for adults, The Forgotten Beasts of Eld (1974), won a World Fantasy Award.
McKillip’s science fiction and fantasy novels include the Riddle-Master trilogy: The Riddle-Master of Hed (1976), Heir of Sea and Fire (1977), and Locus Award winner and Hugo and World Fantasy Award finalist Harpist in the Wind (1979); Nebula Award finalist Winter Rose (1996); Nebula Award nominee The Tower at Stony Wood (2000); World Fantasy Award finalist Od Magic (2005); Mythopoeic Award winner Solstice Wood (2006); and Mythopoeic Award winner Kingfisher (2016).
McKillip’s other books include non-SF children’s book The Night Gift (1976); adult contemporary novel Stepping from the Shadows (1982); and shared-world novel Brian Froud’s Faerielands: Something Rich and Strange (1994), a Mythopoeic Award winner. Her collections include Harrowing the Dragon (2005); Wonders of the Invisible World (2012); and Endeavour Award winner Dreams of Distant Shores (2016). McKillip received a World Fantasy life achievement award in 2008.
Patricia McKillip was living in Oregon when she passed away in May of 2022.
Excerpt from “Lady of the Skulls”
The Lady saw them ride across the plain: a company of six. Putting down her watering can, which was the bronze helm of some unfortunate knight, she leaned over the parapet, chin on her hand. They were all armed, their warhorses caparisoned; they glittered under the noon sun with silver-edged shields, jeweled bridles and sword hilts. What, she wondered as always in simple astonishment, did they imagine they had come to fight? She picked up the helm, poured water into a skull containing a miniature rosebush. The water came from within the tower, the only source on the entire barren, sun-cracked plain. The knights would ride around in the hot sun for hours, looking for entry. At sunset, she would greet them, carrying water.
She sighed noiselessly, troweling around the little rosebush with a dragon’s claw. If they were too blind to find the tower door, why did they think they could see clearly within it? They, she thought in sudden impatience. They, they, they . . . they fed the plain with their bleached bones, they never learned. . . .
A carrion bird circled above her, counting heads. She scowled at it; it cried back at her, mocking. You, its black eye said, never die. But you bring the dead to me.
“They never listen to me,” she said, looking over the plain again, her eyes prickling dryly. In the distance, lightning cracked apart the sky; purple clouds rumbled. But there was no rain in them, never any rain; the sky was as tearless as she. She moved from skull to skull along the parapet wall, watering things she had grown stubbornly from seeds that blew from distant, placid gardens in peaceful kingdoms. Some were grasses, weeds, or wildflowers. She did not care; she watered anything that grew.
The men below began their circling. Their mounts kicked up dust, snorting; she heard cursing, bewildered questions, then silence as they paused to rest. Sometimes they called her, pleading. But she could do nothing for them. They churned around the tower, bright, powerful, richly armed. She read the devices on their shields: three of Grenelief, one of Stoney Head, one of Dulcis Isle, one of Carnelaine. After a time, one man dropped out of the circle, stood back. His shield was simple: a red rose on white. Carnelaine, she thought, looking down at him, then realized he was looking up at her.
Other books by this author…
The Karkadann Triangle
Patricia A. McKillip and Peter S. Beagle
$9.95 Select options This product has multiple variants. The options may be chosen on the product pageWonders of the Invisible World
Patricia A. McKillip
$14.95 Select options This product has multiple variants. The options may be chosen on the product pageDreams of Distant Shores
Patricia A. McKillip
$15.95 Select options This product has multiple variants. The options may be chosen on the product pageThe Book of Atrix Wolfe: 30th Anniversary Edition
Patricia A. McKillip
$11.99 – $17.95 Select options This product has multiple variants. The options may be chosen on the product pageThe Forgotten Beasts of Eld
Patricia A. McKillip
$14.95 Select options This product has multiple variants. The options may be chosen on the product page