But this is a sword and sorcery anthology, and s&s is a very rare exception, the only sub-genre of fantasy that I actually enjoy reading on a more widespread basis. It’s definitely the darker, horror elements that really attract me to s&s, as well as the fact that most s&s stories are not afflicted by that excruciatingly boring pseudo-medieval, rustic scenario that the vast majority of modern mainstream fantasy is set in. I could never be a farmer!
I have to admit that my s&s reading has been mostly confined to the classic 1930’s and 1940’s work of Robert E. Howard, Clark Ashton Smith, C. L. Moore, maybe a little of Fritz Leiber and a few others. I haven’t read anything in this genre post-1950. So tackling this anthology is going to be quite interesting. Only two of the stories are pre-1950 (both early 1930’s), and the rest are from the 1960’s onwards, and covering every decade from then up until the two original 2012 stories written for the anthology. I don’t know how different modern s&s is to the classic form, but I reckon I’ll find out soon enough.
I must admit that my tastes in SF&F reading material have changed and narrowed drastically in the last 10-15 years. I know I’ll still enjoy the earlier Robert E. Howard and C. L. Moore stories, and most likely the Fritz Leiber, Michael Moorcock and Poul Anderson. But as for the more modern stories by the authors that I’m not familiar with, that remains to be seen. Let’s see if I can make it the whole way through this one without giving up.
Read the rest of Friel’s thoughts about fantasy at SF UniVerse.
For info on The Sword & Sorcery Anthology, visit the Tachyon page.
Cover art by Jean-Sébastien Rossbach.
Design by Elizabeth Story.