Tachyon recently collected the extant shorter Hap and Leonard stories in HAP AND LEONARD and HAP AND LEONARD RIDE AGAIN, but now come three new stories in the PM Press book MIRACLES AIN’T WHAT THEY USE TO BE.
Arguably (and who doesn’t like to argue?) the world’s bestselling cult author, Joe R. Lansdale is celebrated across several continents for his dark humor, his grimly gleeful horror, and his outlaw politics. Welcome to Texas. With hits like Bubba Ho-Tep and The Drive-In the Lansdale secret was always endangered, and the spectacular new Hap and Leonard Sundance TV series is busily blowing whatever cover Joe had left.
Backwoods noir some call it; others call it redneck surrealism. Joe’s signature style is on display here in all its grit, grime, and glory, beginning with two (maybe three) previously unpublished Hap and Leonard tales revealing the roots of their unlikely partnership.
A hatful and a half of Joe’s notorious Texas Observer pieces that helped catapult him from obscurity into controversy; and “Miracles Ain’t What They Used to Be,” Lansdale’s passionately personal take on the eternal tussles between God and Man, Texas and America, racism and reason—and religion and common sense.
And Featuring: Our Outspoken Interview, in which piney woods dialect, Bible thumpery, martial arts, crime classics and Hollywood protocols are finally awarded the attention they deserve. Or don’t.
Drew Ford has initiated a Kickstarter to publish the long out of print and difficult to find Lansdale graphic novel RED RANGE.
To best understand what RED RANGE is all about, one should read this review, published within the pages of LOCUS magazine in 1999:
“Joe R. Lansdale’s certainly a modern legend himself, having been around for some time now. But comics artist Sam Glanzman’s got an even more legendary historical grounding, having been professionally drawing for six decades or so. These two worthies have collaborated on Lansdale’s graphic novel, RED RANGE. The first page of RED RANGE itself begins full tilt with graphic ultraviolence as Lansdale and Glanzman plunge us into a 19th century Klan lynching of a black Texas family. Abruptly in the midst of the atrocity, the Kluxers are interrupted by a mysterious rider who’s a deadly shot with both his pistols and long-range Sharps buffalo rifle. It’s the feared and hated (by the KKK, at least) Red Mask, a tough, lethal, black man who wisely keeps his identity concealed. Writer Lansdale’s unerring ear for exotic period and regional dialog remains constant. His penchant for grim humor appears throughout. His hardcore, hard-nosed sense of social conscience remains intact.”
For more info on HAP AND LEONARD, visit the Tachyon page.
For more info about HAP AND LEONARD RIDE AGAIN, visit the Tachyon page.
Covers by Elizabeth Story