supernaut Archives - Tachyon Publications

January 21, 2016

Tachyon tidbits featuring Alastair Reynolds, Ellen Datlow, and Daryl Gregory

Alec Checkerfield Uncategorized ala, alastair reynolds, american library association, anthology, daryl gregory, elizabeth story, horror, john coulthart, novella, reiko murakami, revelation space, review, science fiction, shane keen, short stories, shotgun logic, slow bullets, supernaut, the monstrous, Thomas Canty, we are completely fine

The latest reviews and mentions of Tachyon titles from around the web.

Alastair Reynolds (Photo: Barbera Bella), Ellen Datlow, and Daryl Gregory

The American Library Association released the Readers’ advisory experts announce 2016 Reading List: Year’s best in genre fiction for adult readers which included Alastair Reynolds’ SLOW BULLETS among its science fiction selections.

Science Fiction

Winner
“Golden Son” by Pierce Brown. Del Rey, an imprint of Ballentine Books.
Insurgent Darrow inveigled his way into high Gold society in 2014’s Red Rising. In this dramatic, high octane follow-up, conflicting loyalties and his own ambitions lure Darrow into an untenable web of deceptions. Bolstered by new alliances, Darrow battles to overthrow corrupt lunar leadership and bring freedom to Mars.

Short List
“Futuristic Violence and Fancy Suits” by David Wong. Thomas Dunne Books, an imprint of St. Martin’s Press, a division of Macmillan Publishers.
“Seveneves” by Neal Stephenson. William Morrow, a division of HarperCollins.
“Slow Bullets” by Alastair Reynolds. Tachyon.
“The Water Knife” by Paolo Bacigalupi. Alfred A. Knopf, a division of Random House.

SUPERNAUT cited SLOW BULLETS as the gateway for other Alastair Reynolds’ works.

His SLOW BULLETS was one of my faves from last year. Could have been longer. Well, Frances, here’s
REVELATION
SPACE. Is that long enough for you? Why yes, it is. Little bit on the tiny side though. Really not a fan of mass market books, and yes, I’m fucking snobby about it. I like the bigger size, better paper and printing of trade paperbacks. (Incidentally, either/or for hardbacks. For non-fiction, sure, it goes with the territory, but for fiction, a well-organised large format paperback kinda thrills me.) This one was both small and thick, and maybe my eyes have reached peak-buggered but I swear I could not read that shit when I was in bed at midnight, all squinty and whuuh?

Finished it though, all 576 pages or something. And it kept it together ’til the end. I was about half-way through and thinking, “Where exactly is this going, Mr Reynolds? ’Cos you’re doing a fine job of leading me by the nose through all manner of strangeness.” Usually if I get halfway through having those thoughts, it’s not gonna work for me. This time it was reasonably clear where things would end up, classic Chekhov, Hell Class Cache Weapons all set up, but getting to that, and what happened when everyone did. Most satisfying.

Shane Keene at SHOTGUN LOGIC is starstruck with Ellen Datlow’s THE MONSTROUS.

With most anthologies, it seems inevitable that you’ll find 20 – 30% of the stories are good or even great stories and the rest are mediocre at best and shallow filler at worst. Then there are those few, extremely rare editors who seem incapable of curating a bad story. Ellen Datlow is such an editor. THE MONSTROUS is a newly reprinted addition to a resume that could fill a novel length manuscript. It’s also another home run for Datlow.

Pardon me while I wax star-struck for a moment here. Over the course of the last three decades–plus a little, maybe–It’s quite likely that I’ve read every anthology Ellen Datlow has produced. I’ve watched her grow and I’ve seen her change directions as either opportunity or desire presented itself. But what I’ve never seen her do is curate a bad story. Ellen is a rock star editor with an eye for the best stories and the best talent in the business. That quality has been consistent across everything she’s published and it remains so with THE MONSTROUS.

There are no bad stories, no filler in THE MONSTROUS. Every story is written with mastery and the kind of originality and attention to detail that gets you into a Datlow anthology in the first place. If I had to name a favorite, I would be hard pressed to do so and I’m not going to attempt that here. Suffice it to say, THE MONSTROUS was one of the best two themed anthologies of 2015 in my opinion and another example of why it’s always safe to take a chance on Ellen Datlow.

MYLIFEMYBOOKSMYESCAPE reviewed Daryl Gregory’s gripping and scary WE ARE ALL COMPLETELY FINE.

The most compelling aspects of this story are two thing: trying to figure out why these five people were choose for a group, and if these people a bat-sh!t crazy or telling the truth.

When I started to read this novella, the only genre I knew for certain it was was horror. I had also herd it was this mix of (dark)fantasy and supernatural, and a psychological horror – but I didn’t know why or what one it was primarily. Meaning: was it a psychological story where the people believedthese supernatural things were real, or what is a story where these fantasy/supernatural thingsactually were real and were driving the people crazy? i.e. Are these people crazy of not!?

I could not tell! For the longest time I could not convince myself one way of the other. All of the patients are there because they suffered some type of traumatic incident that has left them scared in some form or another, but some of these stories… Some stories, like Stan’s, were believable – extremely disturbing – but still believable to me. Then as the others – Harrison, Barbara, Martin, and Gina – told their stories, they slowly started to become less and less believe, until they were downright telling what sounded like a dark fantasy story – no way that was possible. But(!) the thing is, the way the novella’s story unfolds, how traumatized the people are, and how passionately they tell their tale, there is just enough of what feels like “truth” there for me to think: maybe these people aren’t crazy; maybe Gregory isn’t trying to pull one on me. Then I’d think over what they just said, and it would be too outlandish for me to believe was true… Gregory has to be to trying to pull a fast on me? See what I’m getting at? That’a how I was the whole story; going back forth from believe and not believing!

Each of these patients’ individual stories are f$^#ed up, disturbing, creepy, scary, and may make your skin crawl.

Did I mention that book also won the 2014 Shirley Jackson Award for Best Novella? I haven’t read the other novellas on the list, but I read this one, and it is indeed worthy of the honor. This a gripping and scary story, with one-of-kind f%@$ed up characters, with their own f%@$ed up stories, written by author who almost drove me crazy because I was trying to figure out if the is the patients were crazy or not.

4.5/5 Rating

For more info about SLOW BULLETS, visit the Tachyon page.

Cover art by Thomas Canty

Design by Elizabeth Story

For more on THE MONSTROUS, visit the Tachyon page.

Cover by Reiko Murakami

Illustrations by John Coulthart

Cover design by Elizabeth Story

For more information on WE ARE ALL COMPLETELY FINE, visit the Tachyon page.

Cover design by Elizabeth Story

August 20, 2015

SLOW BULLETS is solid and engaging

Alec Checkerfield Uncategorized alastair reynolds, elizabeth story, novella, orion's arm universe project, review, science fiction, slow bullets, space opera, supernaut, Thomas Canty

A pair of reviews for Alastair Reynolds’ SLOW BULLETS.

(Photo: Barbera Bella)

From ORION’S ARM UNIVERSE PROJECT:

Reynolds has crafted a solid and engaging novella that holds the reader’s interest. The only real complaint I had by the time I’d finished was that it wasn’t as long and developed as I would have liked.

SUPERNAUT:

SLOW BULLETS is one of the few fiction works I’ll read this year written by a guy. Alastair Reynolds I’ve read once before: Pushing Ice, when I was in Zürich. Good, but didn’t compel me to read his Revelation Space series—it takes a lot for me to agree to read a series. After SLOW BULLETS I am leaning heavily towards reading the first of his Poseidon’s Childrentrilogy, Blue Remembered Earth. Yes, Slow Bullets is a good as its title.

I imagine him coming up with the title and going, “Faaaarrrkkyess!!” It’s his best title. If I came up with a title that good, I’d be off to the Kneipe for a beer. It’s worthy of an Iain M. Banks Rapid Offensive Unit. It’s doubly good cos it’s not bullshit, ‘look at me, I’m clever’; it refers to an object at the core of the story.

For more info about SLOW BULLETS, visit the Tachyon page.

Cover art by Thomas Canty

Design by Elizabeth Story

July 3, 2015

Reviews of recent Alastair Reynolds, Peter V. Brett, and Hannu Rajaniemi titles

Alec Checkerfield Uncategorized alastair reynolds, brayan's gold, collection, demon cycle, elizabeth story, fantasy, hannu rajaniemi, hannu rajaniemi: collected fiction, lius lasahido, novella, open book society, peter v brett, review, risingshadow, science fiction, short stories, slow bullets, space opera, supernaut, the great bazaar, the great bazaar & brayan's gold, Thomas Canty

Photo: Barbera Bella (Alastair Reynolds)/Kasrsten Moran (Peter V. Brett)/(Hannu Rajaniemi)

OPEN BOOK SOCIETY lauds Alastair Reynolds’ SLOW BULLETS.

Alastair Reynolds’ SLOW BULLETS pontificates this and more in a pulse pounding novel that is easily the equal of any Arthur C. Clarke and Phillip K. Dick story rolled into one.

<snip>

Stylistically this is a masterpiece to behold. Slick and polished, SLOW BULLETS will please the palette of any reader of any genre, not just science fiction. Word economy is tight and nothing is wasted on the reader. Suspense, intrigue and the thought provoking instances that occur in time all play an equal part to the collective whole; adding in characterization, the whole is definitely more than the sum of its parts. All attempts at keeping the reader’s imagination open are left open wide and the book is better for it.

All in all, SLOW BULLETS by Alastair Reynolds, is a remarkable read. Fans of contemplative science fiction, like The Matrix, Johnny Mnemonic, or books like Joe Haldeman’s The Forever War or any Phillip K. Dick story, will find themselves treading familiar waters here. Make no mistake about it, though. SLOW BULLETS will more than likely garner a few more discerning readers. For a thought provoking read, look no further than SLOW BULLETS.

RISINGSHADOW praises Peter V. Brett’s THE GREAT BAZAAR & BRAYAN’S GOLD.

I give this collection strong 4.5 stars on the scale from 1 to 5 stars for its entertainment values, because I enjoyed reading the stories and the deleted scenes.

Peter V. Brett’s The Great Bazaar & Brayan’s Gold is an entertaining collection of two novellas. It’s a must-read collection for fans of Peter V. Brett because of its thrilling blend of traditional fantasy elements, action, magic and originality, but it’ll also please newcomers who haven’t read any of the author’s novels. If you’re looking for entertaining fantasy stories to read, you can’t go wrong by reading this collection, because it offers fantasy, demons, good characterisation, action and originality in one package.

Good and well written fantasy entertainment for adults!

And finally, SUPERNAUT reviews the sold out HANNU RAJANIEMI: COLLECTED FICTION.

The cover! I haven’t had a good cover conversation with myself in a long time, mostly unmemorable, or in the case of almost all non-fiction, not applicable (“blue-grey cloth hardback with gold-embossed serif type … mmmhuh.”) Collected Fiction, he got a good typeface finally, two in fact, nice mix of condensed serif (with drop shadow) and monospace. And then there’s theAlien/Borg/Ex Machina/face of hot white chick attached to spiky cyborg body with boobs. And arse! On a sort of Asian/Japanese-y sunset-red disc and swirly blue-green background. Plus a couple of Egrets flapping their feathers loose. Definitely in Questionableland. Kinda like it. Still questionable.

<snip>

And then I read The Jugaad Cathedral. This story is up there somewhere with Anne Leckie’s Ancillary Justice in its simplicity and sheer radicality. It has ideas I’ve read before (possibly in other Rajaniemi works, maybe in Charles Stross’ Rule 34 or Halting State), but it’s what he does with these, the outcome, that’s critical and glorious, and I wanted a whole novel of this, not just a mean barely score of pages. I often question the reality or substantiality of the internet, doing things like building websites, it often seems low on meaning or value or realness. It’s a question of perspective. To use what is there to affect physical things, to gain agency and control of one’s self through an abstract chain of seemingly trivial, childish, imaginary things, this makes it as real as any engine or apparatus.

I don’t want to spoil the story, so I’ll just say it made me smile and laugh and filled me with such happiness, and when I blab the fuck on about diversity and representation, it’s this kind of story I mean.

For more info about SLOW BULLETS, visit the Tachyon page.

Cover art by Thomas Canty

Design by Elizabeth Story

For more info about THE GREAT BAZAAR & BRAYAN’S GOLD, visit the Tachyon page.

Cover design by Elizabeth Story.

For more info on HANNU RAJANIEMI: COLLECTED FICTION, visit the Tachyon page.

Cover art by Lius Lasahido

Design by Elizabeth Story