worlds without end Archives - Tachyon Publications

June 17, 2016

Patricia A. McKillip’s essential DREAMS OF DISTANT SHORES is excellent

Alec Checkerfield Uncategorized allie mccarn, b&n sci-fi & fantasy blog, barnes and noble, chris kammerud, collection, dreams of distant shores, fantasy, gary k wolfe, joel cummingham, Locus, patricia a mckillip, review, strange horizons, Thomas Canty, worlds without end

Patricia A. McKillip at Westercon 64 in the Fairmont San Jose Hotel on Saturday 2 July 2011 (Stephen Gold/Wikimedia Commons)

At the B&N SCI-FI & FANTASY BLOG, Joel Cunningham recommends Patricia A. McKillip’s new collection DREAMS OF DISTANT SHORES.

Winner of a World Fantasy Award for Lifetime Achievement, Patricia McKillip’s books are beloved for their timelessness—her fantasy novels are simultaneously classical and subversive, lyrical and filled with life and energy. Her latest release is a short fiction collection, assembling short pieces that range from an ecological fairy tale novella to a story of witches and mermaids. It’s both essential for fans and a lovely introduction to her work.

Gary K. Wolfe in the June, 2016 LOCUS praises the collection and author.

For a career of more than 40 years, Patricia McKillip hasn’t been particularly prolific in short fiction, but her generous output of first-rate novels (most recently KINGFISHER, reviewed here last month) has more than satisfied a devoted readership. Still, a rare new story collection is something to look forward to, especially when, as with DREAMS OF DISTANT SHORES, it includes three previously unpublished tales, a long novella all but unavailable since its original 1994 publication, an essay by McKillip on high fantasy, and an appreciative and sharply insightful afterword by Peter Beagle. Part of the reason a collection like this is especially intriguing is that, as McKillip herself points out in her essay, the romantic epic conventions of high fantasy have so often been the basic stuff of her novels, and watching her simultaneously manipulate, celebrate, invert, and challenge those conventions is a large part of her appeal. But there are other forms of fantasy, perhaps more gemlike, that she also seems drawn to, and even though the present collection offers us only six stories in addition to the novella and the non-fiction pieces, it’s enough to make you wonder what more she might be able to do in this area.

For WORLDS WITHOUT END, Allie McCarn lauds the work.

Every time I have read one of Patricia A. McKillip‘s novels, I have been struck by her poetic language and the vibrancy of her fantastical worlds. Therefore, I was delighted to have a chance to read and review an advance review copy of her latest collection of short fiction, DREAMS OF DISTANT SHORES (to be published June 14, 2016). The book collects seven works of short fiction, one essay by McKillip, and a warm and insightful afterword by Peter S. Beagle. McKillip’s essay is about her style of writing high fantasy, which involves simultaneously following and breaking the rules of the genre. I enjoyed the glimpse into her writing process, and I think the balance between tradition and originality that she describes is one of the things that has kept drawing me back to her fiction.

The short fiction in DREAMS OF DISTANT SHORES, though, is far from traditional high fantasy. There are no queens, courts and heroes, and the stories take place in worlds not unlike our own. I thought the title itself was a remarkably accurate description of the contents within, since each tale felt like a dream permeated by a different style of magic. The vein of strangeness that runs through every work ties the collection of stories together.

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In closing, this was an excellent collection of short fiction by Patricia A. McKillip. Each of the stories takes place in a different world, with a different tone and approach to the supernatural. With such a range, from the surreality of “Weird” to the Victorian painters of “Gorgon in the Cupboard”, I expect it will please fantasy fans with a variety of tastes. As for me, I have enjoyed visiting each of McKillip’s DREAMS OF DISTANT SHORES.

Chris Kammerud of STRANGE HORIZONS reviews the book.

In Patricia A. McKillip’s latest collection of stories, DREAMS OF DISTANT SHORES, we encounter our fair share of so-called witches, mermaids, heroes, and heroines. We are, it would seem, on familiar ground, and so, perhaps, we may think we already know the shape these stories will take. We’ve seen it all before, haven’t we? High fantasy has, over the last forty years, on occasion, run the risk of going the way of American fast food, of giving rise in its oft-epic success to a kind of monoculture—the latter producing endless fields of the same old boring potatoes, the former producing endless fields of the same old magical orphans.

McKillip, thankfully, while possessing the deepest reverence for the rules of high fantasy, also finds those rules rather boring and in constant need of breaking.

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“At its best,” McKillip says, “fantasy rewards the reader with a sense of wonder about what lies within the heart of the commonplace world.” It’s a worthy goal of all stories, whatever genre. And, at its best, DREAMS OF DISTANT SHORES does this, managing to show us, tucked inside the commonplace forms of fantasy, glimpses of things which remain timeless, nameless, and true.

For more info on DREAMS OF DISTANT SHORES, visit the Tachyon page.

Cover by Thomas Canty

August 24, 2015

THE MONSTROUS satisfies the monster kid in all of us

Alec Checkerfield Uncategorized anthology, elizabeth story, Ellen Datlow, horror, john coulthart, monsters, oddly weird fiction, reiko murakami, review, short stories, the book lover's boudoir, the monstrous, worlds without end

Though not due out until October, reviews have already started coming in for superstar editor Ellen Datlow’s anthology THE MONSTROUS.

Ellen and friend are thrilled with the great reviews!

From THE BOOK LOVER’S BOUDOIR:

THE MONSTROUS is one of the best collections of stories I’ve read in recent years. Every story in this collection shines. On each page I encountered a host of monsters, some human, some non-human and plenty somewhere in between. I’ve not enjoyed a collection of stories this much in years. The authors have taken the idea of monsters and created twenty-five original, striking and wide-ranging tales. Every anthology of stories usually has one or two clunkers. This isn’t the case for this collection. Every story in THE MONSTROUS is excellent.

WORLDS WITHOUT END:

By titling her new anthology THE MONSTROUS, Ellen Datlow drew me in. She seemed to be promising “essence of the monster” rather than just the doings of the things themselves. And after editing what, something like 800 anthologies, I know that she knows her stuff. These are twenty-one stories that, while they will not duplicate the thrill of witnessing Ray Harryhausen’s Kraken lift its third arm out of the sea, can still satisfy the monster kid in all of us – and I know you are out there.

ODDLY WEIRD FICTION:

Just in time for Halloween (out October 15th), THE MONSTROUS is a collection of twenty stories that, as editor Ellen Datlow notes are “Not your usual monster kills/destroys everything” tales, but rather stories that tend to focus on “how the humans react to the monstrosities they encounter.” Great approach, if you ask me, and there are a number of stories that are quite good in this collection. As is also pointed out in the introduction, “monstrosity is in the eye of the beholder,” a very pertinent little piece of wisdom. Since this is an anthology of stories, a mixed bag, so to speak, not every story is going to appeal to every reader, and the concept of “monstrous” is also going to be different depending on whose brain it’s being filtered through.

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So there you have it. Would I recommend THE MONSTROUS? The answer is certainly yes, but I’ll repeat what Datlow says in her introduction: "monstrosity is in the eye of the beholder.“ And that is definitely true.

For more on THE MONSTROUS, visit the Tachyon page.

Illustrations by John Coulthart

Cover by Reiko Murakami

Cover design by Elizabeth Story