if you can’t read bones, good news! we also sell books đ𦴠#books #bookstagram
#readingthebones
#sheilafinch #scifi #Sciencefictionbooks #scifibooks #sciencefiction #xenolinguist #publishing #tachyonpublications #tachyon #theguildofxenolinguists
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Meet the iconic Jane Yolen
Alec Checkerfield Uncategorized amherst, anabelle gerardy, elizabeth story, how to fracture a fairy tale, Jane Yolen, jones library, massachusetts, massachusetts book awards hoilday dozen, the emerald circus, the last tsar's dragons
Grandmaster Jane Yolen will be appearing at Massachusetts Book Awards Holiday Dozen – Valley Edition.
Photo: Jason Stemple
Representatives Mindy Domb, Natalie Blais, and, Lindsay Sabadosa,
working with Massachusetts Center for the Book, Jones Library, and
Amherst Books, invite you to kick off this holiday season in literary style. Join twelve Valley writers, all recently honored by
the Massachusetts Book Awards, for an afternoon book party at the
Jones Library in Amherst on December 7, from 2 to 4 pm.
The event begins
with lightning talks by each writer, followed by an opportunity to
mix and mingle, buy books from local bookseller Amherst Books, and
have them signed by the authors.
Participating authors: Â Heather Abel, Lisa Brooks, George Howe Colt,
Anne Fadiman, Noy Holland, Natasha Lowe, Richard Michelson, Sabina
Murray, Ilan Stavans, Ellen DorĂŠ Watson, Dara Weir, and Jane Yolen. Â
Massachusetts Book Awards Holiday Dozen – Valley Edition
Saturday, December 7
2-4 PM
Jones Library
Amherst, MA
For more info on THE EMERALD CIRCUS, visit the Tachyon page.
Cover design by Elizabeth Story
For more info on HOW TO FRACTURE A FAIRY TALE, visit the Tachyon page.
Cover design by Elizabeth Story
For more info about THE LAST TSARâS DRAGONS, visit the Tachyon page.
Cover art by Anabelle Gerardy
Design by Elizabeth Story
Happy birthday to the incredible Michael Swanwick
Alec Checkerfield Uncategorized birthday, elizabeth story, freddie baer, gravity's angels, michael dashow, michael swanwick, michael swanwick's field guide to the mesozoic megafauna, not so much said the cat, stephanie law, tales of old earth, the dog said bow-wow, the postmodern archipelago
Photo: Beth Gwynn
One of the most acclaimed science-fiction and fantasy short-story
writers of his generation, Michael Swanwick won an extraordinary five
Hugo Awards in six years (1999-2000 and 2002-2004). His stories also
garnered World Fantasy, Theodore Sturgeon, Asimovâs Readersâ
Awards, Locus, and SF Chronicle awards. Swanwickâs Stations Of
The Tide (1991) won the prestigious Nebula award for best novel.
His other acclaimed novels
include In The Drift (1985), Vacuum Flowers (1987),
Jack Faust (1997), Bones of the
Earth (2002), The Dragons of Babel (2008), Dancing with Bears (2011), Chasing the Phoenix (2015), and The Iron Dragonâs Mother (2019). The many collections of Swanwickâs numerous
acclaimed short tales include GRAVITYâS ANGELS (1991), TALES OF OLD EARTH (2000), CIGAR-BOX FAUST AND OTHER MINATURES (2003), MICHAEL SWANWICKâS FIELD GUIDE TO THE MESOZOIC MEGAFAUNA (2004), THE DOG SAID BOW-WOW(2007), The Best of Michael Swanwick
(2008), Solstice Fire (2013), Seasonâs Greetings
(2014), and NOT SO MUCH SAID THE CAT (2016).
Omni,
Penthouse, Amazing, Asimovâs Science Fiction,
New Dimensions, and Full Spectrum number among the many
venues with Swanwickâs short fiction. A frequent contributor to the
New York Review of Science Fiction, he
previously published the controversial essays on the state of the
science fiction and fantasy fields: The Userâs Guide to the
Postmoderns (1986) and âIn the TraditionâŚâ (1994). Both essays
were collected in THE POSTMODERN ARCHIPELAGO (1997). Swanwick
contributed to the serialized The Witch Who Came in
from the Cold
(2017).
All of us at Tachyon
wish the extraordinary and amazing Micheal a spectacular birthday.
For more information on NOT SO MUCH, SAID THE CAT, visit the Tachyon page.
Cover design by Elizabeth Story
For more info on GRAVITYâS ANGELS, visit the Tachyon page.
Cover by Michael Dashow
For more info on TALES OF OLD EARTH, visit the Tachyon page.
Cover by Michael Dashow
For more info on CIGAR-BOX FAUST AND OTHER MINIATURES, visit the Tachyon page.
Cover by Freddie Baer
For more info on MICHAEL SWANWICKâS FIELD GUIDE TO THE MESOZOIC MEGAFAUNA, visit the Tachyon page.
Cover by Stephanie Pui-Mun Law
For more info on THE DOG SAID BOW-WOW, visit the Tachyon page.
Cover by Ann Monn
For more info on THE POSTMODERN ARCHIPELAGO, visit the Tachyon page.
Cover by Michael Dashow
The complete previews of Hannu Rajaniemi and Jacob Weismanâs acclaimed anthology THE NEW VOICES OF SCIENCE FICTION
Alec Checkerfield Uncategorized a series of steaks, alexander weinstein, alice sola kim, david erik nelson, excerpt, hannu rajaniemi, in the sharing place, jacob weisman, one hour every seven years, openness, our lady of the open road, preview, sarah pinsker, the new voices of science fiction, vina jie-min prasad
In celebration of the recently released THE NEW VOICES OF SCIENCE FICTION, Tachyon and editors Hannu Rajaniemi and Jacob Weisman present
glimpses into the future of science fiction from several of the volumeâs
magnificent tales.
The previews included
- âIn the Sharing Placeâ by David Erik Nelson
- âOne Hour, Every Seven Yearsâ by Alice Sola Kim
- âOpennessâ by Alexander Weinstein
- âOur Lady of the Open Roadâ by Sarah Pinsker
- âA Series of Steaksâ by Vina Jie-Min Prasad
For more info about THE NEW VOICES OF SCIENCE FICTION, visit the Tachyon page.
Cover art by Matt Dixon
Cover design by Elizabeth Story
Happy birthday to the exceptional award-winning Lavie Tidhar
Alec Checkerfield Uncategorized birthday, central station, lavie tidhar, the violent century, unholy land
Born in Israel, British Science Fiction and World Fantasy
Awardâwinning author and editor Lavie Tidhar has lived all over the
world, including in Vanuatu, Laos, and South Africa, and currently
resides in London. Among his lauded novels are Candy (2018) A Man Lies Dreaming
(2014, winner of the Jerwood Fiction Uncovered Prize for Best British
Fiction), THE VIOLENT CENTURY (2013), Martian Sands
(2013), Osama (2011, winner of the World Fantasy Award for
Best Novel), the Bookman Histories (The Bookman, 2010;
Camera Obscura, 2011; The Great Game, 2012), and The
Tel Aviv Dossier (2009 with Nir Yaniv). For CENTRAL STATION (2016), Tidhar received overwhelming acclaim including winning the
prestigious John W. Campbell Memorial Award and the inaugural Neukom
Institute Literary Arts Award as well as nominations for 2017 Arthur
C. Clarke Award and 2016 British Science Fiction Award. The book
places on NPR Best Books of 2016, Barnes and Noble Best Science
Fiction and Fantasy of 2016, and 2016 Locus Recommended Reading List. UNHOLY LAND (2018) garnered similar acclaim with best book of 2018 selections from NPR, Library Journal, Publishers Weekly, Guardian, Barnes & Noble, and Crime Time.
Tidharâs numerous
shorter works, which include the 2012 British Fantasy Award-winning
novellas Gorel & The Pot-Bellied God, have been collected
in éćăŻčąăŤćşăĄăŚ (Venus in Bloom; 2019 in Japanese) Black Gods Kiss (2015), and Hebrewpunk (2007). Much
of his non-fiction has been collected in Art And War: Poetry, Pulp
And Politics In Israeli Fiction (2016).
As an editor, Tidhar
has been responsible for The Apex Book Of World Sf (Volumes
1-3, 2009, 2012, 2014), Jews vs Zombies (2015
with Rebbecca Levene), Jews vs Aliens (2015 with
Rebbecca Levene), and A Dick & Jane Primer For Adults
(2008). His graphic novel credits include going to
the moon (2012 with artist Paul Mccaffrey), and
Adolf Hitlerâs âI Dream Of Ants!â (2012 with artist Neil
Struthers).
All of us at Tachyon
wish the goofy, inventive, and talented Lavie a happy birthday!
For more info about UNHOLY LAND, visit the Tachyon page.
For more info about CENTRAL STATION, visit the Tachyon page.
For more info about THE VIOLENT CENTURY, visit the Tachyon page.
Covers by Sarah Anne Langton
Celebrate the publication of PETER WATTS IS AN ANGRY SENTIENT TUMOR with the angry sentient tumor himself!
Alec Checkerfield Uncategorized bakka phoenix books, elizabeth story, john coulthart, Peter Watts, peter watts is an angry sentient tumor, signing, toronto
Peter Watts will be signing copies of PETER WATTS IS AN ANGRY SENTIENT TUMOR at Bakka Phoenix Books on Saturday, Nov. 16, 3PM in Toronto, ON.
Saturday, November 16
3PM
Bakka Phoenix Books
416.963.9993
84 Harbord Street
Toronto ON Â Â
Canada
For more info about PETER WATTS IS AN ANGRY SENTIENT TUMOR, visit the Tachyon page.
Cover design by Elizabeth Story
Icons by John Coulthart
Alec Checkerfield Uncategorized bookhumor, bookish, bookjokes, bookmemes, books, bookstagram, fantasy, fantasybooks, hannurajaniemi, memes, petersbeagle, porquenolosdos, publishing, sciencefiction, sciencefictionbooks, scifi, scifibooks, thenewvoicesoffantasy, thenewvoicesofsciencefiction, whydontwehaveboth
How do you do, fellow kids? I have made you a “meme”
#books #bookstagram #bookish #bookmemes #bookjokes #bookhumor #memes #sciencefiction #sciencefictionbooks #scifi #scifibooks #fantasy #fantasybooks #thenewvoicesofsciencefiction #thenewvoicesoffantasy #whydontwehaveboth #porquenolosdos #petersbeagle #hannurajaniemi #publishing
https://www.instagram.com/p/B45Lptdgm-L/?igshid=1q291x9bdkmmn
THE NEW VOICES OF SCIENCE FICTION preview:Â âOUR LADY OF THE OPEN ROADâ by Sarah Pinsker
Alec Checkerfield Uncategorized elizabeth story, excerpt, hannu rajaniemi, jacob weisman, matt dixon, our lady of the open road, preview, sarah pinsker, the new voices of science fiction
In celebration of the recently released THE NEW VOICES OF SCIENCE FICTION, Tachyon and editors Hannu Rajaniemi and Jacob Weisman present
glimpses into the future of science fiction from several of the volumeâs
magnificent tales.
OUR LADY OF THE OPEN ROAD
by
Sarah Pinsker
A
middle-aged cowboy wandered over to stare at our van. I pegged him
for a legit rancher from a distance, but as he came closer I noticed
a clerical collar beneath the embroidered shirt. His boots shone and
he had a paunch falling over an old rodeo belt; the incongruous image
of a bull-riding minister made me laugh. He startled when he realized
I was watching him.
He
made a motion for me to lower my window.
âMaryland
plates!â he said. âI used to live in Hagerstown.â
I
smiled, though Iâd only ever passed through Hagerstown.
âUsed
to drive a church van that looked kinda like yours, too, just out of
high school. Less duct tape, though. Whatcha doing out here?â
âTouring.
Band.â
âNo
kidding! You look familiar. Have I heard of you?â
âCassis
Fire,â I said, taking the question as a prompt for a name. âWe
had it paintÂed on the side for a while, but then we figured out
we got pulled over less when we were incognito.â
âDonât
think I know the name. I used to have a band, back before …â
His voice trailed off, and neither of us needed him to finish his
sentence. There were several âback beforesâ he could be referring
to, but they all amounted to the same thing. Back before StageHolo
and SportsHolo made it easier to stay home. Back before most people
got scared out of congregating anywhere they didnât know everybody.
âYouâre
not playing around here, are you?â
I
shook my head. âColumbus, Ohio. Tomorrow night.â
âI
figured. Couldnât think of a place youâd play nearby.â
âNot
our kind of music, anyway,â I agreed. I didnât know what music he
liked, but this was a safe bet.
âNot
any kind. Oh well. Nice chatting with you. Iâll look you up on
StageHolo.â
He
turned away.
âWeâre
not on StageHolo,â I called to his back, though maybe not loud
enough for him to hear. He waved as his Chauffeur drove him off the
lot.
âLuce,
youâre a terrible salesperson,â Silva said to me.
âWhat?â
I hadnât realized heâd been paying attention.
âYou
know he recognized you. All you had to do was say your name instead
of the bandâs. Or âBlood and Diamonds.â Heâd have paid for
dinner for all of us, then bought every T-shirt and download code we
have.â
âAnd
then heâd listen to them and realize the music we make now is
nothing like the music we made then. And even if he liked it, heâd
never go to a show. At best heâd send a message saying how much he
wished we were on StageHolo.â
âWhich
we could be …â
âWhich
we wonât be.â Silva knew better than to argue with me on that
one. It was our only real source of disagreement.
The
neon âopenâ sign in the restaurantâs window blinked out, and I
took the cue to put the key back in the ignition. The glowplug light
came on, and I started the van back up.
My
movement roused Jacky again. âWhere are we now?â
I
didnât bother answering.
As I
had guessed, the owner hadnât quite understood what I was asking
for. I gave him the engine tour, showing him the custom oil filter
and the dual tanks. âWe still need regular diesel to start, then
switch to the veggie oil tank. Not too much more to it than that.â
âItâs
legal?â
Legal
enough. There was a gray area wherein perhaps technically we were
skirting the fuel tax. By our reasoning, though, we were also
skirting the reasons for the fuel tax. Weâd be the ones who got in
trouble, anyway. Not him.
âOf
course,â I said, then changed the subject. âAnd the best part is
that it makes the van smell like egg rolls.â
He
smiled. We got a whole tankful out of him, and a bag full of food
heâd have otherwise chucked out, as well.
The
guys were over the moon about the food. Dumpster diving behind a
restaurant or Superwally would have been our next order of business,
so anything that hadnât made a stop in a garbage can on its way to
us was haute cuisine as far as we were concerned. Silva took the lo
meinâno complimentary breadâscrewed together his travel
chopsticks, and handed mine to me from the glove compartment. I
grabbed some kind of moo shu without the pancakes, and Jacky woke
again to snag the third container.
âCan
we go someplace?â Silva asked, waving chopsticks at the window.
âGot
anything in mind on a Tuesday night in the boonies?â
Jacky
was up for something, too. âLaser tag? Laser bowling?â
Sometimes
the age gap was a chasm. I turned in my seat to side-eye the kid.
âOne vote for lasers.â
âI
dunno,â said Silva. âJust a bar? If I have to spend another hour
in this van Iâm going to scream.â
I
took a few bites while I considered. We wouldnât be too welcome
anywhere around here, between our odor and our look, not to mention
the simple fact that we were strangers. On the other hand, the more
outlets I gave these guys for legit fun, the less likely they were to
come up with something that would get us in trouble. âIf we see a
bar or a bowling joint before someplace to sleep, sure.â
âI
can look it up,â said Jacky.
âNope,â
I said. âLeave it to fate.â
After
two-thirds of the moo shu, I gave up and closed the container. I
hated wasting food, but it was too big for me to finish. I wiped my
chopsticks on my jeans and put them back in their case.
Two
miles down the road from the restaurant, we came to Starkerâs,
which I hoped from the apostrophe was only a bar, not a strip club.
Their expansive parking lot was empty except for eight Chauffeurs,
all lined up like pigs at a trough. At least that meant we didnât
have to worry about some drunk crashing into our van on his way out.
I
backed into the closest spot to the door. It was the best lit, so I
could worry less about our gear getting lifted. Close was also good
if the locals decided they didnât like our looks.
We
got the long stare as we walked in, the one from old Westerns, where
all the heads swivel our way and the piano player stops playing.
Except, of course, these days the piano player didnât stop, because
the piano player had no idea weâd arrived. The part of the pianist
in this scenario was played by Roy Bittan, alongside the whole E
Street Band, loud as a stadium and projected in StageHolo 3D.
âDo
you want to leave?â Jacky whispered to me.
âNo,
itâs okay. Weâre here now. Might as well have a drink.â
âAt
least itâs Bruce. I can get behind Bruce.â Silva edged past me
toward the bar.
A few at leasts: at least it was Bruce, not some cut-rate imitation.
Bruce breathed punk as far as I was concerned, insisting on recording
new music and legit live shows all the way into his eighties. At
least it was StageHolo and not StageHoloLive, in which case thereâd
be a cover charge. I was willing to stand in the same room as the
technology that was trying to make me obsolete, but Iâd be damned
if I paid them for the privilege. Of course, it wouldnât be Bruce
on StageHoloLive, either; heâd been gone a couple of years now, and
this Bruce looked to be only in his sixties, anyway. A little flat,
too, which suggested this was a retrofitted older show, not one
recorded using StageHoloâs tech.
For more info about THE NEW VOICES OF SCIENCE FICTION, visit the Tachyon page.
Cover art by Matt Dixon
Cover design by Elizabeth Story
Alec Checkerfield Uncategorized baker & taylor publisher services, btps, news, tachyon publications
BREAKING NEWS: Tachyon signs with BTPS
As of January 1 2020, Tachyon Publications will be distributed by Baker & Taylor Publisher Services (BTPS).
Baker & Taylor Publisher Services (BTPS) and Tachyon Publications Announce Full-Service Sales & Fulfillment Agreement
Tachyon to Benefit from Personalized Service Worldwide
ASHLAND, OH â Baker & Taylor Publisher Services (BTPS), a leading provider of sales and fulfillment services, is pleased to announce the signing of a full-service worldwide agreement with Tachyon Publications, effective January 1, 2020.
Tachyon is the highly acclaimed publisher of award-winning science fiction, fantasy, horror and many other genres. BTPS was chosen as the representative for all of the publisherâs book offerings.
âWe are very excited to be joining the BTPS team while celebrating our 25th year in the publishing industry,â said Tachyon publisher Jacob Weisman. âWe look forward to their collaborative team helping us grow and flourish.â
âTachyon is an incredible presence in the science fiction and fantasy world, and we are elated to be partnering with them,â said Mark Suchomel, Senior Vice President of Baker & Taylor Publisher Services.
###
About BTPS
Baker & Taylor Publisher Services (BTPS) is a leading provider of economical services and solutions to book publishers and content creators, with a robust worldwide reach to all trade and other book markets. BTPS services include sales and distribution, book manufacturing and inventory management, and third-party logistics. A division of Follett, BTPS client publishers also benefit from Follett and Baker & Taylorâs positions as major suppliers of public libraries, K-12 school markets and higher education outlets. For more information, please visit www.btpubservices.com.
Visit BTPS and their Tachyon Publications for more information.
PETER WATTS IS AN ANGRY SENTIENT TUMORÂ is irreverent, self-depreciating, profane, and funny
Alec Checkerfield Uncategorized booklist, elizabeth story, joe karpierz, john coulthart, Peter Watts, peter watts is an angry sentient tumor, reddit, review, She Treads Softly, terrence miltner, the mt void
The recently released PETER WATTS IS AN ANGRY SENTIENT TUMOR is garnering excitement.
In a STARRED review at BOOKLIST, Terrence Miltner praises the collection.
His writing is irreverent, self-depreciating,
profane, and funny, showcasing a Hunter S. Thompsonâesque studied rage
and dissatisfaction with the status quo combined with the readability
and humor of John Scalzi. These thought-provoking essays rail against
hypocrisy, question the usefulness of consciousness, and explore
counterrhetorical biases and how they impact our society.
Joe Karpierz for THE MT VOID offers similar sentiments.
Why do *I* think anyone will want to read Watt’s blog posts?
Because he’s interesting, he’s got great things to say, and he’s a
great writer. No matter what he thinks.
SHE TREADS SOFTLY also agrees.
You may not agree with every opinion Watts has, but you will have to
admit he is an excellent writer, presents his opinions and facts clearly
and concisely, and he is passionate about what he thinks.
Over at REDDIT, there is a conversation about the book.
Xeelee1123
It’s worth the buy just for the great icons.
PTI_brabanson
So it’s a book of essays? Might be cool.
For more info about PETER WATTS IS AN ANGRY SENTIENT TUMOR, visit the Tachyon page.
Cover design by Elizabeth Story
Icons by John Coulthart