Get Tim Powers’ masterpiece that “rivals anything written by Umberto Eco” THE STRESS OF HER REGARD for $1.99
“Powers’s framing of a vast, mysterious conspiracy, with ancient supernatural powers, hidden riddles, and secret societies, rivals anything written by Umberto Eco….”
Michael Crawford is forced to flee when discovers his bride brutally murdered in their wedding bed. Yet it is not the revengeful townspeople he fears but the deadly embrace of the malignant spirit that is claiming him as her bridegroom.
“Good serious fantasy doesn’t come much better than THE STRESS OF HER REGARD.”
Crawford will not travel alone; soon he is aided by his fellow victims, the greatest poets of his day—Byron, Keats, and Shelley. Together they embark upon a desperate journey, crisscrossing Europe and battling the vampiric fiend who seeks her ultimate pleasure in their ravaged bodies and imperiled souls.
“Intricately laced plots, theories of magick advanced and practical, and strange-but-true historical incidents.”
—Green Man Review
Telling a secret history of passion and terror, Tim Powers (THE ANUBIS GATES, DECLARE, THREE DAYS TO NEVER) masterfully recasts the tragic lives of the Romantics into a uniquely frightening tale. Back in print for the first time since 1994, this newly revised edition of THE STRESS OF HER REGARD will thrill both Powers fans and newcomers to this gripping Gothic tour de force.
“Set early in the 19th century, Powers’s (ON STRANGER TIDES) seventh novel is a horror story that wonderfully evokes the period. On the stormy night before his wedding, Dr. Michael Crawford, in an ill-advised moment while drinking and carousing with two of his friends, slips his intended’s ring on the finger of a statue of a woman in the inn’s courtyard. The next morning the statue has disappeared. Disturbed, Crawford purchases a new ring and goes to his wedding. The night’s celebrations are followed by a morning infinitely more horrifying than the previous one–Crawford awakens to find his bride murdered. Doubting his own sanity, he flees England, becoming aware that he is pursued by a lamia –a malignant female spirit. He seeks help from his friends, the poets Byron and Shelley, who, it turns out, have experience with such a monster. Strewn with literary personages and allusions, the book is entertaining on several levels, but most particularly as a chilling horror-adventure. ”
—Bring with you also … a new Sword cane …
(my last tumbled into this lake—)
to John Cam Hobhouse, 23 June 1816
Until the squall struck, Lake Leman was so still that the two men talking in the bow of the open sailboat could safely set their wine glasses on the thwarts.
The boat’s wake stood like a ripple in glass on either side; it stretched to port far out across the lake, and on the starboard side slowly swept along the shore, and seemed in the late afternoon glare to extend right up the green foothills to move like a mirage across the craggy, snow-fretted face of the Dent d’Oche.
A servant was slumped on one of the seats reading a book, and the sailors had not had to correct their course for several minutes and appeared to be dozing, and when the two travellers’ conversation flagged, the breeze from shore brought the faint wind-chime melody of distant cowbells.
The man in the crook of the bow was staring ahead toward the east shore of the lake. Though he was only twenty-eight, his curly dark red hair was already shot with gray, and the pale skin around his eyes and mouth was scored with creases of ironic humor.
“That castle over there is Chillon,” he remarked to his younger companion,“where the Dukes of Savoy kept political prisoners in dungeons below the water level. Imagine climbing up to peer out of some barred window at all this.” He waved around at the remote white vastnesses of the Alps.
His friend pushed the fingers of one skinny hand through his thatch of fineblond hair and peered ahead. “It’s on a sort of peninsula, isn’t it? Mostly out in the lake? I imagine they’d be glad of all the surrounding water.”
Lord Byron stared at Percy Shelley, once again not sure what the young man meant. He had met him here in Switzerland less than a month ago and, though they had much in common, he didn’t feel that he knew him.
Both of them were voluntarily in exile from England. Byron had recently fled bankruptcy and a failed marriage and, though it was less well known, the scandal of having fathered a child by his half sister; four years earlier, with the publication of the long, largely autobiographical poem Childe Harold’s Pilgrimage, he had become the nation’s most celebrated poet—but the society that had lionized him then reviled him now, and English tourists took delight in pointing him out when they caught glimpses of him on the streets, and the women frequently threw theatrical faints.
Shelley was far less famous, though his offenses against propriety sometimes appalled even Byron. Only twenty-four, he had already been expelled from Oxford for having written a pamphlet advocating atheism, had been disowned by his wealthy father, and had deserted his wife and two children in order to run away with the daughter of the radical London philosopher William Godwin. Godwin had not been pleased to see his daughter putting into all-too-real action his abstract arguments in favor of free love.
Byron was doubting that Shelley would really be “glad of the surrounding water.” The stone walls had to be leaky, and God knew what kinds of damp rot a man would be subject to in such a place. Was it naïveté that made Shelley say such things, or was it some spiritual, unworldly quality, such as made saints devote their lives to sitting on pillars in deserts?
And were his condemnations of religion and marriage sincere, or were they a coward’s devices to have his own way and not acknowledge blame? He certainly didn’t give much of an impression of courage.
Four nights ago Shelley and the two girls he was travelling with had visited Byron, and rainy weather had kept the party indoors. Byron was renting the Villa Diodati, a columned, vineyard-surrounded house in which Milton had been a guest two centuries earlier; and though the place seemed spacious when warm weather let guests explore the terraced gardens or lean on the railing of the wide veranda overlooking the lake, on that night an Alpine thunderstorm and a flooded ground floor had made it seem no roomier than a fisherman’s cottage.
Byron had been especially uncomfortable because Shelley had brought along not only Mary Godwin, but also her stepsister Claire Clairmont, who by a malign coincidence had been Byron’s last mistress before he fled London, and now seemed to be pregnant by him.
What with the storm clamoring beyond the window glass and the candles fluttering in the erratic drafts, the conversation had turned to ghosts and the supernatural—luckily, for it developed that Claire was easily frightened by such topics, and Byron was able to keep her wide-eyed with alarm, and silent except for an occasional horrified gasp.
Shelley was at least as credulous as Claire, but he was delighted with the stories of vampires and phantoms; and after Byron’s personal physician, a vain young man named Polidori, had told a story about a woman who’d been seen walking around with a plain skull for a head, Shelley had leaned forward and in a low voice told the company the reasons he and his now abandoned wife had fled Scotland four years earlier.
The narration consisted more of hints and atmospheric details than of any actual story, but Shelley’s obvious conviction—his long-fingered hands trembling in the candlelight and his big eyes glittering through the disordered halo of his curly hair—made even the sensible Mary Godwin cast an occasional uneasy glance at the rain-streaked windows.
It seemed that at about the same time that the Shelleys had arrived in Scotland, a young farm maid named Mary Jones had been found hacked to death with what the authorities guessed must have been sheep shears. “The culprit,” Shelley whispered, “was supposed to have been a giant, and the locals called it ‘the King of the Mountains.’ ”
“‘It’?” wailed Claire.
Byron shot Shelley a look of gratitude, for he assumed that Shelley too was frightening Claire in order to keep her off the subject of her pregnancy; but the young man was at the moment entirely unaware of him. Byron realized that Shelley simply enjoyed scaring people.
Byron was still grateful.
“They captured a man,” Shelley went on, “one Thomas Edwards—and blamed the crime on him, and eventually hanged him … but I knew he was only a scapegoat. We—”
Polidori sat back in his chair and, in his usual nervously pugnacious way, quavered, “How did you know?”
Shelley frowned and began talking more rapidly, as if the conversation had suddenly become too personal: “Why, I—I knew through my researches—I’d been very ill the year before, in London, with hallucinations, and terrible pains in my side … uh, so I had lots of time for study. I was investigating electricity, the precession of the equinoxes … and the Old Testament, Genesis …” He shook his head impatiently, and Byron got the impression that, despite the apparent irrationality of the answer, the question had surprised some truth out of him. “At any rate,” Shelley continued, “on the twenty-sixth of February—that was a Friday—I knew to take a pair of loaded pistols to bed with me.”
Polidori opened his mouth to speak again, but Byron stopped him with a curt “Shut up.”
“Yes, Pollydolly,” said Mary, “do wait until the story’s over.”
Polidori sat back, pursing his lips.
“Doing what Powers does best, by interspersing a dozen plot lines and characters with a bucket-load of paranormal and tying them up perfectly, he has conjured a tale that could be taken from the history books and taught as fact, and no one would even bother to challenge it. The unfortunate truth is that it’s not real, and that’s what it makes it all the more amazing.”
For more information on THE STRESS OF HER REGARD, visit the Tachyon page.
Cover by Ann Monn.