Look who’s back from the printer!
#weekendreading #bookstagram #books #scifibooks #fantasybooks #fairytale #janeyolen #lavietidhar #fantasy #sciencefiction #shortstories #selfie #publishing #tachyon #tachyonpublications
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The complete previews of THE PEOPLE’S REPUBLIC OF EVERYTHING by Nick Mamatas
Alec Checkerfield Uncategorized dreamer of the day, elizabeth story, excerpt, Nick Mamatas, north shore friday, preview, the glottal stop, the people's republic of everything, under my roof, walking with a ghost
In a showcase of Nick Mamatas’ subversive and darkly humorous THE PEOPLE’S REPUBLIC OF EVERYTHING, Tachyon presents glimpses from some of the volume’s magnificent tales.
The previews included
For more info on THE PEOPLE’S REPUBLIC OF EVERYTHING, visit the Tachyon page.
Cover by Elizabeth Story
Alec Checkerfield Uncategorized books, bookstagram, flashbackfriday, kagebaker, moviebook, moviehistory, moviereview, nonfiction, orange, publishing, scifibooks, silentfilm, silentmovie, tachyon, tachyonpublications, thecompany
This #flashbackfriday takes us back to the birth of cinema! In Ancient Rockets, Kage Baker reviews the very first scifi/fantasy movies, from 1902-1925. If you’re sick of remakes, why not try the original?
#bookstagram #books #nonfiction #moviehistory #silentmovie #silentfilm #moviereview #kagebaker #thecompany #orange #publishing #tachyon #tachyonpublications #scifibooks #moviebook
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Tachyon tidbits featuring Kameron Hurley, Nancy Kress, Ellen Datlow, and Peter V. Brett
Alec Checkerfield Uncategorized arc manor, b&n sci-fi & fantasy blog, barren, Ellen Datlow, kameron hurley, martin cahill, Nancy Kress, new under the sun, peter v brett, phoenix pick, review, sam reader, the best of the best horror of the year, the light brigade, therese pieczynski, tor.com
The latest reviews and mentions of Tachyon titles and authors from around the web.
Kameron Hurley, Nancy Kress (photo: Ellen Datlow), Ellen Datlow, and Peter V. Brett (Karsten Moran)
B&N SCI-FI & FANTASY BLOG reveals the cover to Kameron Hurley’s The Light Brigade.
Kameron Hurley (The Stars Are Legion) has definitely earned having her name on the cover in big, bold type on the cover of her ninth novel, sci-fi war thriller The Light Brigade, which we’re showing off today. She’s racked up nominations for her work (among them nods for the Nebula and the Arthur C. Clarke awards), and has won the Hugo, Locus, and British Science Fiction awards.
Art by Even Ventrue and art direction by Michael McCartney
But let’s not forget about the words beneath it, which also promise to be worth your attention. This is military science fiction as only Kameron Hurley could tell it—a story about the life of an infantry grunt and the corporate future of warfare, with shades of Robert Heinlein and Joe Haldeman, and a touch of the bizarre that could only come from the author of God’s War. Or as she puts it: “I’m incredibly thrilled with how this cover turned out. I can’t wait for everyone to experience this time-bending, full-throttle quantum mindquake of a ride.”
ARC MANOR/PHOENIX PICK’s ebook of the month for October is New Under the Sun by Nancy Kress along with a companion novelette by Therese Pieczynski. The book is pay-what-you-want throughout the month.
A brand-new book by master storyteller Nancy Kress. Set in the near future, Nancy Kress’ story gives us a world increasingly hostile to new ideas as religious fundamentalism dictates social agenda and where the primary use of science is to bolster these very same uncompromising attitudes. Annabel Lee is a child of this society, but unique. She has been infected by a long-dormant alien parasite. But this ģinfection may be the only hope for the world, if she can survive long enough.
Therese Pieczynski’s companion piece predates the world Nancy Kress gives us and takes us to back to 1980s Nicaragua, where a strange demon lurks.
Sam Reader at B&N SCI-FI & FANTASY BLOG delivers 10 Years of Terror: 7 Standout Stories from The Best of the Best Horror of the Year.
This month, Night Shade Books celebrates that milestone with The Best of the Best Horror of the Year, a summing up of 10 years of terror that runs the gamut—stories of gruesome monsters, cerebral surrealism, twisted bloodletting, and existential dread—contributed by a murderer’s row of horror authors.
Curating a list of standout stories from the collection might sound easy, with names like Neil Gaiman, John Langan, and Mira Grant within reach. But naming certain names is, well, expected, and horror isn’t about what’s expected. It’s about challenging expectations and upending context. I’ve written a lot about horror for this blog, so in recommending this retrospective as essential—and it is—I’m doing so only by mentioning authors I’ve never written about before. If you aren’t a denizen of the world of disturbing fiction, it’s more than likely these names are new to you, but they are definitely worth remembering. Certainly, the seven stories below are terribly unforgettable.
For TOR.COM, Martin Cahill reviews Peter V. Brett’s Barren.
Overall, Barren is a success, and if you’ve enjoyed Brett’s previous work, you’re going to enjoy this. Brett continues to add to the mythos of the Demon Cycle, and gives us a chance to see what the future of his world may look like. Progress, both personal and social, is hard fought for in this novella, despite the horrendous actions of the Brook in the past, and I can only hope we see more of this new world, and new social status quo, in future books from Peter V. Brett.
Meet the iconic Jane Yolen
Alec Checkerfield Uncategorized Jane Yolen, new york, the emerald circus, warwick, warwick children's book festival
Photo: Jason Stemple
Grandmaster Jane Yolen will be appearing at 2018 Warwick (NY) Children’s Book Festival at Railroad Ave on October 6, 11AM-4PM.
For more info on THE EMERALD CIRCUS, visit the Tachyon page.
Cover design by Elizabeth Story
The stories in Jane Yolen’s relatable and powerful HOW TO FRACTURE A FAIRY TALE are a treat to read
Alec Checkerfield Uncategorized divine nanny, divinenanny.nl, elizabeth story, how to fracture a fairy tale, Jane Yolen, pub, Publishers Weekly, review, the book lover's boudoir
With over a month left until publication, Jane Yolen’s HOW TO FRACTURE A FAIRY TALE continues to wow critics.
PUBLISHER WEEKLY praises the collection.
Yolen (THE EMERALD CIRCUS) has put together a thought-provoking collection of reprinted and original works that explore every aspect of fairy tales.
<snip>
Readers will find most of these stories relatable and powerful in their messages, and Yolen’s notes about each work’s origin are so interesting that they’re worth rereading in their own right.
THE BOOK LOVER’S BOUDOIR enjoys the book.
I enjoyed every story in this collection. I love it when authors take a well-known story and shape and twist it into something completely new. Fairy tales present almost endless ‘what if’ possibilities. Yolen distorts some well-known fairy tales in this collection but there are also tales I’d never heard of before. Every page was a treat to read. Some of the stories are even darker than the fairytales. I loved what Yolen does with this collection. I particularly enjoyed “The Bridge’s Complaint,” “Sun / Flight,” “Brother Hart, “One Old Man, with Seas”l and “Sister Death.”
Photo: Jason Stemple
DIVINE NANNY likes her introduction to Jane Yolen.
Even though I own several works by Jane Yolen (thanks to Humble Bundle) I hadn’t read anything by her before. I was still intrigued by this work up on NetGalley and couldn’t resist requesting it. I’m glad I did, because I think I found myself a new writer whose style I love.
<snip>
If you are looking for fairy tales with a twist, for stories that could be told at the fireside, for something on a cold winter night, look no further than this collection. Four out of five stars from me.
For more info on HOW TO FRACTURE A FAIRY TALE, visit the Tachyon page.
Cover design by Elizabeth Story
Alec Checkerfield Uncategorized asimov, asimovssciencefictionmagazine, bookstagram, meangirlsday, october3rd, onwednesdayswewearpink, pink, publishing, selfie, tachyon, tachyonpublications
On #MeanGirlsDay we wear pink
#october3rd #onwednesdayswewearpink #bookstagram #pink #selfie #asimovssciencefictionmagazine #asimov #publishing #tachyon #tachyonpublications
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THE PEOPLE’S REPUBLIC OF EVERYTHING by Nick Mamatas preview: “North Shore Friday”
Alec Checkerfield Uncategorized elizabeth story, excerpt, Nick Mamatas, north shore friday, preview, the people's republic of everything
In a showcase of Nick Mamatas’ brilliant, oddball THE PEOPLE’S REPUBLIC OF EVERYTHING, Tachyon presents glimpses from some of the volume’s magnificent tales.
North Shore Friday
by Nick Mamatas
Read the rest of the story at TachyonPublications.com
For more info on THE PEOPLE’S REPUBLIC OF EVERYTHING, visit the Tachyon page.
Cover by Elizabeth Story
Alec Checkerfield Uncategorized books, bookspinebeauty, bookspines, bookstagram, charlesdelint, ellendatlow, fallcolors, janeyolen, jowalton, lovecraft, october, petersbeagle, publishing, rainbow, redorangeyellow, tachyon, tachyonpublications
October is here, and we are feeling those Fall colors!
#books #bookstagram #bookspines #bookspinebeauty #october #fallcolors #rainbow #janeyolen #lovecraft #petersbeagle #jowalton #charlesdelint #ellendatlow #publishing #tachyon #tachyonpublications #redorangeyellow
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THE PEOPLE’S REPUBLIC OF EVERYTHING by Nick Mamatas preview: “Walking with a Ghost”
Alec Checkerfield Uncategorized elizabeth story, excerpt, Nick Mamatas, preview, the people's republic of everything, walking with a ghost
In a showcase of Nick Mamatas’ thought-provoking and topical THE PEOPLE’S REPUBLIC OF EVERYTHING, Tachyon presents glimpses from some of the volume’s magnificent tales.
Walking
with a Ghost
by Nick Mamatas
Chakravarty
spent at least three months making the same joke about how the AI was
going to start spouting, “Ph’nglui mglw’nafh C’thulhu R’lyeh
wgah’nagl fhtagn,” and then all hell would break loose—a
Singularity with tentacles. Sometimes he’d even run to the bank of
light switches and flick the lights on and off. It was funny the
first time to Melanie, and she squeezed a bit more mirth out of
Chakravarty’s inability to pronounce the prayer to Cthulhu the same
way twice. Making the Lovecraft AI had been Melanie’s idea, but it
was Chakravarty who tried to keep the mood whimsical. Both worried
that Lovecraft would just wake up screaming.“—and
he does scream, occasionally,” Melanie explained. Her advisor and a
few other grad students were at the presentation, in the front rows,
but as these presentations were theoretically open to the public, the
Lovecraftians had come out in force, squeezing themselves into the
tiny desk-chairs. They looked a lot like grad students themselves,
but even paler and more poorly dressed in ill-fitting T-shirts and
unusual garments—one even wore a fedora—plus they kept
interrupting.“Can
we hear it talk?” one asked, and then he raised his hand, as if
remembering that he had to. “Ask it questions?”“Please,
leave all questions—for us—until after the presentation. We’re
not going to expose the AI to haphazard stimuli during this
presentation,” Chakravarty said.“He’s
… fairly calm so far,” Melanie said. “Which is to be
expected. We know a lot about Lovecraft. He recorded almost
everything he did or thought in his letters, after all, and we have
nearly all of them. What ice cream he liked, how it felt to catch the
last train out of South Station, how he saw the colors scarlet and
purple when he thought the word evil. He was fairly phlegmatic, for
all the crazy prose and ideas, so he’s okay.”“How
do we know that this is really an artificial intelligence, and not
just a bunch of programmed responses?” This one, huge and bearded,
wore a fedora.
Chakravarty
opened his mouth to speak, his face hard, but Melanie answered with
an upturned palm. “It’s fine,” she said to him. “Most of
these talks are total snoozers. Nobody ever has any questions.”
Then, to the audience: “I’d argue that we can’t know it’s a
bunch of programmed responses, except that we didn’t program all
the responses we’ve seen so far. Of course, I don’t know that
you, sir,” she said, pointing to the Lovecraftian, “aren’t also
just a bunch of programmed responses that are just the physical
manifestation of the reactions going on in the bag of chemicals you
keep in your skull.”“I
don’t feel like I am!”“Do
you believe everything you feel; do you not believe in anything you
haven’t?”“No,
and no true Lovecraftian would,” he said.“Right.
So you don’t believe in the female orgasm,” Melanie said. The
room erupted in hoots and applause. Then Chakravarty got up, shouted
that everyone who didn’t understand what’s going on should just
go home, Google “Chinese room,” and stop asking stupid questions.
“Ooh, Chinese—Lovecraft wouldn’t like that room,” someone
said. Then the classroom was quiet again.“Uh,
thanks for that, Chakravarty,” Melanie said. She adjusted her
watch, thick and blocky on her wrist. “I’ve been walking around
the city with him. He likes Boston and Cambridge, it helped ease him
into his, uh, existence. And he knew things, how roads crossed and
bits of history, that I didn’t know, that we didn’t program into
him. But we did program a lot into him. Everything we had access to,
both locally and up at Brown.” Behind her, a ghostly image of the
author, chin like a bucket, eyes wide and a bit wild, flickered into
existence. He sat in an overstuffed chair in the swirling null-space
of a factory-present screensaver image.“Well,
if there are no more questions”—Melanie glanced about the
classroom and there were no questions, just some leftover
giggles—“why don’t we have him say hello?”The
room went silent. “And none of that ftang ftang stuff,” Melanie
added. Somebody giggled, high-pitched like a fife.Chakravarty
leaned down into a microphone that snaked out from the laptop.
“Lovecraft, can you hear me? Can you see us? Many people here have
read your stories.”The
image blinked. “Hello,” it said, its voice tinny and distant.“How
are you?” Chakravarty asked. A simple question, one with only a
couple of socially acceptable answers. A kid could program the word
“Fine,” into an AIM buddy chat.“I
do not quite know,” Lovecraft said. “I …” he trailed off,
then looked out into the room, as if peering into the distance. “Why
have you people done this to me?”
For more info on THE PEOPLE’S REPUBLIC OF EVERYTHING, visit the Tachyon page.
Cover by Elizabeth Story